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The entire park seems more alive and scarier than ever before. From the park website “The cursed have taken over… and that strange things start happening when you hear the haunting melody.” Don’t Listen is the warning. If you do listen, they say you will be cursed. How to lift the curse? Survive the night of course!
The atmosphere is much more adult oriented and graphic in nature. Parents really need to understand that most of the little ones will be terrified. I’m in my mid 30s and I was a shivering mess by the end of the night. All the décor around the park was more detailed and darker; Wendigo Woods especially.
New France has been changed into a Research Facility tucked away in the forests of Canada. The Wendigo, or half-beast demonic creature known for Cannibalism was believed to be legend. However, strange things are happening and terror is lurking all around! The terror-tory is amazing and New France has never heard so many screams!
Demon Street in Aquitaine has pumped up the volume with a street party atmosphere, complete with chainsaw welding demons! The bar serves up very potent signature alcoholic beverages that are sure to get the party started!
Vampire Point returns with more scare actors that hide through the twisting walkways in Rhinefeld Germany. If you find yourself thirsty for something else besides blood, make sure to reserve your tickets for the ever fun Blood Banquet. Count Vladtastic is back and the show has really increased in musical numbers and humor! The show is outdoors so you do not have to purchase a ticket to enjoy the antics of Vlad and crew, but the food is to die for! Tickets may be purchased at Guest Relations or online.
If you are feeling a bit naughty, head over to Ireland where the sexy nurses would love to give you a shot …. Of Vodka and Jello! Just like Vampire Point, Ireland also has a ticketed dinner show. Igor’s Fright Feast is also a buffet and features the character Igor, Swampy, and a team of naughty nurses. The show is a classic pop music montage of fun and laughs. The lighthearted humor is a perfect pairing to your dining experience.
Across the way at the Abby Stone Theater, Dr. Freakenstein is back at Fiends! This year the show focuses on vocal and acting talent of the fabulous performers. Dr. Freakenstein’s creature is not the only thing alive! The show is memorizing with moments of hilarity. The crowd is just as electrified as the creature.
Ports Of Skull is tucked away in San Marco Italy and is haunted by the tortured souls of undead pirates. Only two have a sense of humor, the rest are the hunt for a new crewmember! The pirate Barrrrgh and Crows Nest offer specialized food and drink with colorful characters to serve you your poison. Enter if ye dare!
I saved Ripper Row for last. It is the first and last terror-tory guests experience at the park. The ripper is looking to find his next victim, so don’t get lost or it may end up being you!
Speaking of the Ripper, Monster Stomp is a live high-tech musical performance at the Globe Theater. The show is fantastic! It takes the classic version of Monster Stomp and multiplies the visuals by 100! Imagine Monster Stomp meets Sweeny Todd. It is more of a Broadway style production; the sets, music, dances, and rhythms are extremely well balanced and leave you thirsty for more. Much like Sweeny Todd, the show is not for the lighthearted. There will be blood. Of course, the splatters are perfectly timed to haunting music!
If that isn’t enough, you still have the toe tapping Festhaus show called Night Beats. Ulrich, along with his shadows of the night, entertain you with powerful vocals and dance. The set itself has changed along with some of the musical arrangements, but the show is still as awesome as ever! If you are like me, you will end up singing the musicall night long. Even now, I am still singing: “We‘re running with the shadows of the night. So baby take my hand, it’ll be all right. Surrender all your dreams to me tonight. They’ll come true in the end……”
The six haunted houses: Catacombs, Bitten, Cutthroat Cove, The Root of All Evil, Deadline, and the popular 13: Your Number’s Up have all returned to thrill guests. I was able to go through Catacombs, Cutthroat Cove, 13 and Deadline. All of them seemed more intense this year and I’m not sure who was entertained more, me or the people directly behind who witnessed my constant shrieking.
So there you have it. Howl-O-Scream 2014 has begun scaring and entertaining guests once more! The innocent sweet sounding tune playing around the park may be pleasing, but Don’t Listen. So will you survive or end up being cursed?
Have fun, stay scared, and don’t find yourself alone in the darkness!
Special thanks to my friends at Behind the Thrills for allowing me to assist them with Media Coverage this year. Make sure to follow them on Instagram, Face Book, and Twiiter for the latest news. http://behindthethrills.com/
Info regarding Howl-Scream, hours, Ticket information, tours, and reservations; visit http://seaworldparks.com/en/buschgardens-williamsburg/howloscream/
There is a new breeze blowing at Busch Gardens this year that captures your ears and eyes; much like strawberry fields and marmalade skies. London Rocks marks the return of a live performance production at the park’s historic Globe Theater and it does so with a clear message: “All You Need is Love.”
The show highlights the counterculture movement of the 60s, 70s, and early 80s. During this time, music reflected the attitudes of those living in a very complicated, tumultuous time period. In order to explain the British culture through the decades mentioned, I would need to reference several books, articles, and documentaries based on the subject. London Rocks, however, has less than 30 minutes to convey recognizable elements of the decade; 23 minutes to be exact.
So what can you fit into a half hour? Let’s just say that the show is a powerhouse of visual images and subtle references, cleverly disguised as an easy-going musical about love and togetherness. It is obvious that a huge amount of time and effort went into making London Rocks and therefore, I wanted to make sure I honored that work by breaking down the symbolism and theatrical elements that brings the show to life.
I decided the most logical way to share my interpretation of the show is visually. It is my hope that I will shed some light on the story, symbolism, and music behind London Rocks.
Please note, this is just my interpretation.
Also as an FYI: The “60s” is really classified loosely from 1963 to 1974.
While watching the animation here is what you need to take note of:
- Colors: The scene is muted in mostly shades of gray and a splash of yellow, blue, and specks of bright red. The muted colors evoke daily life in London and the robotic nature of being a part of the system. The red is showcasing “Iconic” London, British symbols.
- Cultural References: The style of art is similar to the animation found in the opening sequence of the BBC/PBS TV program called Mystery! (as seen here: https://www.youtube.com/watch?v=rAmGsM4Dids&feature=kp ) Several announcements are made on the TV screen from an animated Queen Elizabeth that is an obvious homage to Terry Gilliam’s animation in Monty Python. The Abbey Road Records is appropriately named as the album “Abbey Road” still remains the best selling Beatles record. The fictional “QBC” network or Queen’s Broadcasting Network is harking to the actual “BBC” (British Broadcasting Network).
- Symbols: Businessmen with bowler hats and briefcases, famous London buildings, post boxes, the British Underground Sign, peace symbols, flowers, paisley prints, tea pots, and tea cups.
- Animation: the animation cycles to in force the “hum drum” daily life. There is a sleeping cat that ignores a little mouse in the window of the record store. The men and women go about their day in a slow, methodical drudge. When the TV broadcasts the Queen, she is featured only in black and white and babbles on about proper British rules like how to drink tea. In-between these clips, there are snippets of black & white broadcasts.
A sample of Monty Python Animation for Reference:
- Color: Lucy’s bright yellow outfit clashes against all the black and white. From this we get that Lucy does not fit in with everyday life and thus reflects the nonconformist movement of the era.
- Cultural References and Symbolism: Typical London Rain, business men flocking to various jobs in the city. Lucy’s mini skirt, go-go boots, and hair style is showcasing how the youth used style and fashion as a means of rebellion. The record on her coat also shows that this may be inspired by the music she listens to. The audio and movements of the businessmen have a comedy style much like that found in Monty Python. **An example of what I am talking about:
After a very exciting animation of riding the British Underground, Lucy emerges to head home.
Cultural Reference: Lucy lives on Arnold Lane which I picture as a reference to the 1967 hit from Pink Floyd called Arnold Layne; a song with a very extreme counterculture message for the time.
- Color: The Yellow (aka: Lucy) is used to not only the door to her flat but to here bedroom window.
- Color: Her room is devoid of any color except for her window. I believe this is her world without music.
- Cultural References and Symbolism: The British Flag on the bed sheet, the pictures of all the members of the Beatles, the band logo from Who, a strawberry, more peace signs and flowers, records, a poster of London, and some other images I cannot make out.
Side note: Lucy plays the record and starts to sing and dance in her room by herself. The song is “It’s Only Rock n’ Roll (But I like It) by the Rolling Stones. (1974)
- Color: This is the start of the spiral of Blue and Pink in the background. In this case, it is Lucy’s crush-infatuation-love for the lead singer. I call this “Falling in Love” (You’ll see it again)
- Song: “For your Love” by the Yard Birds (1965)
- Cultural References and Symbolism: Peace signs, the Union Jack flag pattern, and a heart right below the lead singer that is projected on the stage. The four band members could reference the four Beatles, their costumes much like that of their early career. See below photo:
- Color: Red has been used to showcase only iconic British symbols so far. Now the color seems to evoke desire. The stage becomes more colorful the longer the music plays.
- Symbolism: Lips, peace signs, and paisley prints. The lips are an obvious choice for Lucy being enamored by the singer’s voice. I think the Paisley print is to represent the counterculture style of music.
- Cultural References and Symbolism: Dancers come on stage with Camera’s for their heads and also (not shown) wearing over-sized Bowler Hats. This seems to reference a connection to Lucy’s infatuation with the singer’s image through the British media.
- Song: “What I like about You”by the Romantics (1979)
(This is not the actual animation for this scene. I am using this one to have a visual reference.)
- Color: The queen is shown to be only black and white. At the end the sun rises and is the same blue and yellow and blue you see for Lucy and Guy (who is about to show up in the next scene)
- Cultural References and Symbolism: The Queen and her Corgis. She declares the music as “barking” and that the racket “Will never last.” This bit is to show that at the time the older population thought the music rubbish and that it was just an unwanted phase of the youth. At the end the sun rises playing The William Tell Overture.
- Color: Both Lucy and Guy have complimenting outfits in style and colors. The muted colors are back in this scene except for the records themselves which are in rainbow like colors. This multi-color aspect is starting to reflect what is considered bohemian or counterculture for the time.
- Song: “Wild Thing” by the Troggs (1966) and “Wishin & Hopin” By Dusty Springfield (1964)
- Cultural References and Symbolism: Records, flowers, and peace signs. The records are obvious nods to popular records for the time. Albums such as Bowie’s Alladin Sane (1973) and The Beatles album Meet the Beatles (1964) are two that I can definitely make out.
- Color: The costumes of all the other characters are multi-colored, thus meaning they have truly embraced the Bohemian lifestyle. The bright red hat and boots (I believe) are used as a tool to gain focus on the fact that the couple is being drawn together.
- Song: “Come and Get It” by Badfinger. (1969)
- Cultural References and Symbolism: Fashion exploded in the 60s. “Do your Own thing” was a time of self expression and being free. London was huge for the Mod movement and both Lucy and Guy represent that London “Mod” Look. The other characters are more of the “Hippie” style. Bell-bottoms, fringe, long hair, vests, folk-style hippie boots all reflect self expression-letting it all go and to be free from conformity.
- Color: Besides what is already mentioned above, the swirl in the background has taken a pink-blue color pallet from the monochromatic in the previous scenes. This ties in with the “love” aspect of Peace and Love.
- Cultural References and Symbolism: Besides the fashion & hairstyles, there is an addition to flowers which is a play on the “flower power” concept of make peace not war theme of the 60s. The hippie characters surround Lucy and Guy in celebration of coming together in the spirit of love.
- Color: Main thing to note is that the streets of London in the animation are now in full color.
- Song: “Lucy in the Sky with Diamonds” by the Beatles. (1967)
- Cultural References and Symbolism: This is an interesting scene that requires some need 3D animation type effects. The dancers run in place but the animation is creating an illusion of them running forward. This, to me, symbolizes Lucy and Guy’s romance- or a whirlwind romance.
- Color: This set is all about pink and blue; just like the swirls before. The groomsmen are in blue and the bridesmaids are in yellow to represent the couple. It is hard to see but Lucy has yellow flowers in her hair and a yellow floral bouquet. Guy also has a yellow shirt and tie. The guitarist is in red and for me, this serves the same purpose as the woman in the red hat in the previous seen. “Desire- the drawing together of two people in love.”
- Songs: “Wonderful Tonight” by Eric Clapton. (1977) possibly one of the most lovely, romantic songs for any wedding. <<Yes, this played at my wedding so I am a bit biased.>>
- Cultural References and Symbolism: The groomsmen are dressed in an almost spot-on look for how the Beatles were dressed in the cover of the Sgt. Pepper’s Lonely Hearts Club Band album from the Beatles. (1967) A historic album that was known to be “a historic departure in the progress of music” (Time Magazine). The cover even received notations in fine art! Also, the guitarist looks very much like Slash. Here is what the album cover looks like:
- Song: “Let’s Dance” by David Bowie (1987)
- Cultural References and Symbolism: This is where the album cover of Sgt. Pepper’s Lonely Hearts Club Band comes into play. A myriad of people are placed together and animated in a very “Monty Python” style; swaying back and forth to the music. (Much like the lyrics themselves ~let’s sway) The dancers on stage are going through various popular dance moves such as the hustle and perhaps a bit of Michael Jackson’s “Thriller.” Either way, the dance is catchy.
- Color: Note the Queen is wearing color now and is more liberal in dress. Red being Iconic Britain in this instance.
- Cultural References and Symbolism: This is the moment I realized what the “sun reference“meant! The sun (yellow) is Lucy and the sky (blue) is Guy. “Lucy in the sky with diamonds.” Check. The queen is also wearing clothing that is more liberal and saying the music isn’t all bad. For me this is a take that Britain herself is becoming proud of the new music. Attitudes are changing and moving forward into accepting new ideas.
To save time, I am combining all three animated sequences:
- Color: Blue and Yellow~ Lucy and Guy like the Sun and Sky.
- Cultural References and Symbolism: The cars morph to reflect Lucy and Guy’s priority changing. After the wedding they go from a convertible (picture not shown) to a family style vehicle. Animation is once again showing the passage of time.
- Color: The interior of the car has yellowish tones and outside blue. It is also important to know that all of their children have yellow and blue elements to represent both parents.
- Song: A mix of three songs sung by the individual puppets. From left to right: “We will Rock You” by Queen (1977); “Octopus’s Garden” by The Beatles (1969); and “Come Together” by the Beatles (1969)
- Cultural References and Symbolism: The couple’s children are singing different songs and arguing in the backseat. All three songs are all very different in meaning and attitude, yet still represent the feeling of the era. Their manner of dress enforces their differences. The girl puppet wins by stopping the other boys and choosing the song “Octopus’s Garden.” I may be wrong, but I think the two boy puppets resemble Paul McCartney and John Lennon. This would make sense as the Lennon–McCartney would be a songwriting partnership that is legendary. Both had distantly different styles and visions. Yet, despite their comradely, eventually they parted ways. As Lennon once said about McCartney: ““He provided a lightness, an optimism, while I would always go for the sadness, the discords, the bluesy notes.”
- Color: The characters of the Walrus and Gator are in red, white, and blue with stripes; much like the Union Jack Flag.
- Effects: Bubbles
- Cultural References and Symbolism: The best line in the whole song to describe why this was picked for the children growing up is this one line: “Oh what joy for every girl and boy, knowing that they’re happy and safe.” Of all the Beatles songs, this one is perfect for children. Written by Beatle’s drummer Ringo Starr, which I fondly note that in this scene the drummer is an Octopus. “The Walrus” is a common reference in Beatles songs and a part of various debates of meaning and origin. The crocodile really causes me to geek out here as I recall an old Beatles Cartoon: https://www.youtube.com/watch?v=Db_45UVHuYs The song also says “coo coo cachou” (there are other spellings, which is a a nonsensical word used by the Beatles, then Simon and Garfunkel, and even more recently, in the movie Finding Nemo! It could honestly mean anything and perhaps is better left to be interpreted by an older audience. During the song, lyrics appear above and you can sing along. Again, this gave me a huge sense of nostalgia as the old Beatles cartoons for kids (which would fit the time of the triplets -1969) had “Sing-a-longs.”
- Color: Record store is in full color now with the Queen dressed fully in red. Lucy’s flat now has flowers that are in yellow.
- Cultural References and Symbolism: Britain has embraced the music and is moving forward to the next thing with high hopes.
- Color: Everything is in a rainbow range of colors now. There is even a “Yellow Submarine” like Blimp carrying the Queen.
- Songs: “Strawberry Fields Forever” By the Beatles (1967) ; “Magical Mystery Tour” (1967) By the Beatles.
- Effects: There is a smell of strawberries that is pumped into the theater at this time.
- Color: Blue –Pinks (love) Blue sky (Guy) (Yellow Lucy) Lucy in the Sky… etc.
- Song: “Space Oddity” by David Bowie (1969)
- Cultural References and Symbolism: The Big Ben flies into space much like the Space Race going on at the time. The song “Space Oddity” references Major Tom, a fictional astronaut, and was released in 1969. The first man on the moon was also in 1969. The milestone was huge in British society and all around the world. This animation, like previous animations, is speeding us to another decade and point of reference in Lucy and Guy’s life.
- Color: There are those same colors, now in combinations of blue and yellow. Signifying the children of both Lucy and Guy. Blue and Pink- love and peace.
- Song: “Under Pressure” By David Bowie and Queen (1981). Possibly one of my favorite songs of all time.
- Cultural References and Symbolism: The triplets are now teens in the 80s and are unhappy. The 70s brought a depression and the 80s brought a sense of frustration and possibly a sense of the “World May End any day.” This is the part I relate to. I was terrified of nuclear war and the threat that tomorrow may end. Money was being spent and nothing was saved. People lived as if there was no tomorrow. The culture of the era reflected that. I would say these teens represent the musicians of Boy George, Cyndi Lauper, and Billy Idol. Also take note that in the background, there is a kitchen; thus meaning that they are at home in Lucy and Guy’s house (yellow).
- Color: Lucy and Guy are wearing Yellow Black and White. The colors in the back are muted once more, meaning “daily life” has returned. They have conformed to the system and no longer have peace, love, and happiness.
- Song: “Hard Day’s Night” by the Beatles (1964) Appropriately sung by a generation from the early 60s and when the couple first met.
- Cultural References and Symbolism: Lucy is working. This shows that women are now in the working place and she is tired of being everything to everyone. Both are now working in a business job, much like the hum drum life of those animated figures drudging away in the streets of London. It looks as if they may be on the verge of breaking up. Their children are angry at this and are tired of the bickering. They fight among themselves only to have the girl bring them together much like the scene in “Octopus’s Garden.”
- Color: The swirls become pink and blue and thus love has returned. Their house is red and not yellow.
- Song: “Work it Out” by the Beatles (1965) to “Under Pressure” By David Bowie and Queen. (1981)
- Cultural References and Symbolism: Just like in any marriage, it takes work and love. Lucy and Guy find love with their children and with each other. After all, all you need is love.
- Color: Yellow is back for Lucy and Guy as more of a goldish color. The Queen and most everyone has some sort of Blue, Red, and White.
- Song: A clever use of the patriotic song called “Rule Britannia” mixed with “All you need is Love” by the Beatles.
- Cultural References and Symbolism: The queen is no longer supporting the music; she is in the music and proud of it. This means that the British people look back on their history in music and the arts in pride. In the end “Peace and Love” win out and the message is clear: “All you need is Love! Peace! and ROCK ON!”
My personal take:
I was a child of the 80s and all I knew of the 60s and 70s was what I learned through TV and my parents. Thankfully, my husband introduced me to music from the era. Not only did I learn about the the complexity and messages of the time, but I also realized that all the music I loved in the 80s and beyond stemmed from the radical change in philosophy and styles from the 60s.
That decade was huge in the development of the world. The time from 1960 to the 80s faced huge turmoil; war, nuclear threats, assassinations, and the uncertainty of what will be. Music, designs, and fashions all reflected the hope and desire to escape from the reality. In retrospect, it was an artistic way to show the multifaceted and complex nature of what direction the world would go.
Music binds us all together; generations, races, and sexes. We can agree about music and art in a way that each song speaks to us on some level. We relate to it; we put ourselves in the lyrics and find peace in the words.
Thanks to my loving husband, I not only learned about the classics of rock, but established a passion for a generation that I never experienced. London Rocks is that window for all generations. It is geared to teach us that love is the answer and no matter what, we can work it out.
I hope this article sheds light on all the symbolic meanings and details that went into this production. As a film studies major with a degree in studio art and animation, I appreciate the concept on every level. I felt with my knowledge, I could interpret some of the themes and meanings in an artistic way.
London Rocks is a loving tribute to all things British; not to mention, an era of tremendous change. I can never know what it was like to live in the 60s, but the show gives all generations a glimpse.With history we gain wisdom and understanding. We accept those who may differ from ourselves because we are no longer afraid.
To the creators and artists behind London Rocks, thank you for the work and passion put into this production. Every time I watch the show, I keep seeing more and more subtle references. Now if you could only add some Duran Duran, New Order, Erasure, and Pet Shop Boys to the list of artists; I would be even more ecstatic.
- A special thanks to Behind the Thrills who allowed me to assist them in coverage for media day. Here is their video: https://www.youtube.com/watch?v=JDP60JjEwB8 You guys Rock!
- Behind the Scenes Official Video from Busch Gardens: https://www.youtube.com/watch?v=0axpOjtjvtk&list=UUPT2be1EnXUnBPwZ7l6FyCg
- Scot Gasparich, VP of Entertainment https://www.youtube.com/watch?v=l8RmzYeB-cA
- Sam Buntrock, Show Director.
- Tim Bird, Projection Manager. From his Linkedin profile: “I am a Tony nominated show designer specializing in the integration of video projection into live work. Whilst working as a founder and creative director of the Knifedge agency, which ran for over 10 years, my work was dedicated to blending art with technology, in the service of storytelling and communication. This ethos continues into current work.”
- Jason Kantarowitz, Creative Producer. From IBD: http://ibdb.com/person.php?id=25730
- Ben Cohn, Musical Director. Linkedin: http://www.linkedin.com/pub/ben-cohn/4/445/531
- Ken Billington, Lighting Director. http://en.wikipedia.org/wiki/Ken_Billington
- Stan Meyer, Set Designer. http://clearconceptentertainment.com/StanleyMeyer/ I adore Stan. A sharp dresser first of all. When I met him, that suit was fabulous. He has done tons of work for theme parks, including Verbolten at Busch Gardens. He took the time to speak with me and it was very hard for me not to drop into a “Waynes World bowing moment” of “I’m not worthy.”
Many thanks to all those I did not mention.
Please check out all of Busch Gardens Behind the scenes videos and interviews on their You Tube Channel.
In the meantime:
Busch Gardens Williamsburg has opened their doors for the 2014 season! The weather was absolutely picture perfect; sunny, cheerful, and a much needed break from a very long and bitter winter.
As any Virginian knows, Sunday was the exact opposite. So much so, I decided to stay home in the warm cozy confines of my couch wrapped tightly in a blanket and missed out on opening day for the general public.
The park did not have any official announcements or meetings for Pass Members. In all honesty, I have nothing to report about future attractions and events this year. Thus, all I can discuss are the small changes I saw around the park.
The first thing was a ginormous sign advertising the new water ride “Colossal Curl” at Water Country. Personally, I burn as fast a boiling lobster, so Water Country is not a place I can utilize or enjoy. I do believe that this is the first time such a large ad for Water Country was built inside the gates of Busch Gardens.
Last year we were told about a new show called London Rocks. The show was not ready by opening weekend and from what I gather will be opening in May. There were no real changes to Banbury that I could tell.
Apollo was my first ride and for a good reason. Apollo is turning 15 years old March 30th; thus please see the gathering I created as a special event for Apollo fans here: https://www.facebook.com/events/1458860284333719/ Yay for Apollo! I noticed that by the time we reached the top of the first hill, we could see the traffic to get in the park stretched to the interstate. I tell you folks, it pays to get there early.
In San Marco, the Artisans of Italy and Bella Casa gift shops got a new and classy face lift. The displays were much brighter and cheerful. The artists looked happy and the porcelain flowers looked as lovely as ever.
Also in San Marco, the new deck and dining area was completed. It looked fantastic and allows more seating, which will be nice come the food and wine festival.
The Rhine River cruise was closed due to upgrades, but the bridge was open and the renovations looked to be mostly complete. The extra space will certainly allow more traffic on the bridge; a much needed improvement.
Nothing much to report in Oktoberfest except the Festhaus floor has partially been repainted to a blood red color. Not exactly sure what purpose that serves; it struck me as rather odd.
Heading towards Rhinefeld, the Bunny trail was up in all its glory. The interesting critters from Illuminights found their way on the Bunny Trail and also into the gardens near DarKastle. The snail (who many park enthusiasts have named “Oscar”), the ants, bees/lightening bugs, giant turtle, and frog are all there. Oscar the snail was missing his French chef hat and mustache and Mr. Frog was missing his top hat and monocle. Interesting, and I am not sure the purpose behind it all.
Land of the Dragons has been spruced up with fresh paint and looked to be cleaner and brighter all around. The kids should enjoy the new look for the 20th anniversary of the play area. Rumor is that there will be a new show. Something I hope happens. The area would greatly benefit from another family fun show and activity.
Le Scoot was mostly refurbished. Hopefully there will be no delays in opening the classic ride when the weather is nice enough to enjoy it. I am just thrilled to see one of the original rides at BuschGardens get some love. It is a true gem and one that holds tons of memories since 1975. Also in New France, the newly renovated bathrooms have not been completed.
Oh, and before I forget; Europe in the Air was running again. I didn’t get a chance to ride it, but it was nice to see that Killarney had an operating attraction this year.
Entertainment wise, Entwined was the only major show playing. The lovely Killarney village band and the Italian Ensemble were performing in Killarney and San Marco.
Celtic Fyre will be opening (hopefully) next weekend along with “This is Oktoberfest.” A Sesame Street show will replace “Mix it Up” until the end of April at the Teatro di San Marco. Rumors are buzzing that the Maypole dancers and the Aquitaine village band will not be returning this year. If so, I will miss both performances immensely. They really added character to the park.
That is about it. Not much to report other than I had a good time and enjoyed seeing my friends and meeting new Busch Gardens enthusiasts. I’ll be heading out again next weekend, so if there are any new additions, I will let everyone know.
I hope you all get to come out and enjoy the park this year! In the meantime, no more snow Virginia- please!
“Keep all special thoughts and memories for lifetimes to come. Share the keepsakes with others to inspire hope and build from the past, which can bridge to the future.” ~Mattie Stepanek
It is pretty obvious I am a very sentimental person. I see life as a series of events that shape who we are and how we respond to the world around us. Someone once asked me in a job interview, “How do you see yourself?” It was a good question and one I had thought about before.
I told her that “I see myself as thousands of puzzle pieces glued together by people who have influenced my life in both a positive and negative way. My interests, my personality, hopes, dreams, morals; all of which stem from those moments in my life that someone said or did something that shaped my view of the world around me.”
I have always been very aware of connections that tie us all together. Sometimes they are recognized immediately, but most of them go unnoticed until much later. It is with great pleasure that I share this story with all of you.
When I started BGW Memories, people were frequently asking if I had any photos of the Brewery Tour. After searching for months, not one single picture surfaced. Then when I least expected it, I got a message from William “Bill” Wiley. He mentioned was that he once worked at the Anheuser Busch Hospitality Center. With that little note, he attached three photos. One was of the elusive Hospitality Center; another was the Eagle One monorail. My favorite was the picture of him proudly standing in front of a recruitment table.
I was electrified with joy! Not only did this serve to spark my own memories but I knew that it would be appreciated by hundreds of other BGW enthusiasts.
In January, I received an email for Bill’s daughter Nancy. She explained that her father had passed away and wanted me to know how much he loved BGW Memories. I started crying as soon as I read those words. I felt such a loss.
Chances are, I personally met Bill at some point. My mind began wrapping around the connection. I never knew that the man behind the smile at the Hospitality Center would later send me such a treasure trove of history. Even though I cannot recall the sound of Bill’s voice or conversations at the park we may have shared, knowing we both had the chance to reconnect is a miracle.
We go through our lives never knowing all the ways we affect others. Bill Wiley taught me that what we do, no matter how small, matters. In turn, I will never see the photos of the Brewery Tour again without thinking about Bill and his enthusiasm and kindness.
Thank you for sharing your memories with us Bill. Also to Nancy: Thank you for telling me how much your father enjoyed reading BGW Memories and how proud he was to be a part of Busch Gardens history. We will forever be connected and for that, I am sincerely grateful.
Please honor Bill by reading about his life. William “Bill” Wiley’s Obituary is found here: http://www.legacy.com/obituaries/DailyPress/obituary.aspx?n=William-Roy-Wiley&pid=168882269
“It’s so much darker when a light goes out than it would have been if it had never shone.”
― John Steinbeck
For those wanting to know more about the Brewery Tour: a regular contributor to BGW Memories, Christopher Shwartz sent me links to the entire Brewery Tour captured on film. The You Tube videos were posted by “SCIONIZER.” Thanks to you both for this precious documentation of park history!
Another year has come and gone and I find myself staring in to the abyss of two long months without Busch Gardens Williamsburg. The cold dark winter sky looms over me as a coaster-less depression rolls in. Yet amidst the gloom and leafless trees, I reflect upon 2013 with fondness. I will declare 2013 as another new chapter in my experiences at Busch Gardens. Through the broad reaches of the internet, I will call it: The Year of Friends.
Before social media came around, it was a lonely road roaming around the park. A good analogy of this isolation would be as if I only person who showed up to a sci-fi convention in costume. No matter how many times I went with friends in years past, no one shared my level of enthusiasm. That is, until now.
Starting a community fan page was something I had wanted to do for quite some time and thank goodness I took the plunge! This year I connected with a family of enthusiasts that made me feel at home. At last, I could be myself and no one would think odd of me. It was refreshing and glorious!
The first event in 2013 was Pass Member Preview Day. It was a cold wet March morning, yet I was honored that so many fans gathered into a huddle to start the day off right.
For those who have never been to Pass Member Preview, it is scheduled the day before the park opens to the general public and usually features presentations scattered in various locations. The presentations are designed to inform season pass members of what to expect for the new operating season; call it a teaser trailer.
This past year’s preview consisted of promoting the new Food & Wine Festival; something I could barely contain my excitement about. When the event arrived, I was not disappointed!
I instantly feel in love with the event, the food, and the atmosphere. The Food & Wine festival was almost like a special gift given to the loyal guests of the park. I would even say it was a very successful enticement for many locals to come out to enjoy the spring weather by tasting European themed dishes and to pair them with various wines and beers. Hello? Awesome!
As a local and an avid park goer, this event was my favorite all year. I felt a constant draw to the park just to enjoy the simple pleasures of food, wine, and the company of dear friends. It almost brings to mind the TV show cheers, where everybody knows your name; where the bar is Grogan’s Pub and the entertainment was Celtic Fyre and the Killarney Village Band.
My friends and I also acquired a new favorite place to congregate during the event; Aquitaine, France! Before the Food & Wine Festival, the hamlet of Aquitaine consisted of a brief stop for a ride on Griffon. Yet with the wonderful addition of the Aquitaine Village band, a lovely reinvention of Le Belle Maison shop with the best wine expert in the area, and the charming French Waiters, my friends and I found a new home! So many hours were spent enjoying wine, singing Oh la la with the band and taking in the scenery of twisting vines while the enticing smell of crepes and coffee lingered in the air. Oh la la indeed!
I felt that the Old Country had returned from these small touches of unique experiences. Our group felt full of anticipation for each day that we would all converge upon our favorite table to discuss life and Busch Gardens.
I would also like to mention my other favorite addition during the Food & Wine Festival: the Wine on the Rhine cruise. The price of the cruise was extremely affordable and included a sophisticated snack of cheeses, chocolates, and a wine of your choice. A charming band serenaded your journey. It is romantic and a relaxing way to your evening with friends or that special someone.
With the new event, let us not forget a coaster legend reached another milestone in 2013. The Loch Ness Monster, celebrated its official 35th anniversary. I planned a mini gathering of fans and even had a poster made for Nessie’s birthday to honor the old girl.
That anniversary morning, the “usual suspects” as I call us, ran into the gates to be the first to ride Nessie that morning. The park had also decided to celebrate this moment by offering the first 100 people an anniversary tee shirt as well as a chance to be recorded on the celebratory 1st ride of the day. I was so extremely honored that my best friend and I made it to the front seat! Trust me, we ran hard to earn that spot!
Looking at that photos taken that day, it is easy to see the love and appreciation for Nessie. May she live long and remain forever in our hearts!
I would like to randomly insert another favorite memory of 2013; one of my favorite performers took the time to come take a photo with me in his Big Bad Wolf costume. Anyone who has read my blogs knows my love the classic coaster that once traveled at the “speed of fright” but also for the singer that played the part in the show Entwined. It remains one of my favorite pictures of the season!
During the summer, I took several behind-the-scenes tours that I highly recommend. Attending the Bird of Prey Tour, The Ultimate Insider Tour, and the Coaster Tour with fellow park enthusiasts was well worth my time and money. Our tour guides were fantastic and the memories that were made will last forever. I have written reviews of all the tours on my Blog and please read them at your leisure!
The regular season still held more adventures! My friends and I were able to catch the last show of “This is Oktoberfest.” For me, the show is a true representation of the Old Country era of traditional German Festhaus music. My favorite memory was being selected to dance the Polka one last time with one of my favorite performers; again- another one for the memory books! It was a touching and fitting way to say goodbye to a show I loved so much for the 2013 season.
Not only did our band of park enthusiast brother’s and sisters enjoy the last of “This is Oktoberfest” and “Entwined”, but we also gathered to enjoy the final performance of Celtic Fyre. We had so much fun and the cast was so touch by the showing of love and support from their fans. Many of the 2013 cast has moved onto new ventures but their place in our hearts will never be forgotten.
Thanks for the memories to all who made the regular season shows full of joy and magic! Best of luck to all of you who are returning and those moving on. Our love and wishes go out to you all.
Before the end of the summer, another Pass Member special announcement was made in the Festhaus. The family of avid fans made their way to be the first to hear what we can look forward to for HOS and for 2014. We learned about the new format of Howl-O-Scream (HOS) and got to see special look at the new show set to be in the Globe Theater in 2014 called “London Rocks.”
After the presentation, the performers came out in a vintage double-decker bus to have a meet-and-greet with the fans. Obviously, this was my favorite part.
The last event I attended in the summer was Wild Days. A ticketed event of either a breakfast or lunch will include meeting Jack Hanna and a close encounter with exotic animals. I have never missed this event and plan to continue the tradition every year!
After the summer, Howl-O-Scream seemed to arrive overnight. Truth be told, I loved the new Terror-tory Concept and the more adult themed atmosphere. Entertainment was key in 2013 with classic shows, bars, and a new location worthy of a special note.
My absolute favorite was Blood Banquet! The concept of a “dinner theater” has been something I have wished for! Luckily, it far exceeded my expectations!
In fact, my friends and I became regular attendees. I adored the cast and their enthusiastic portrayal of an eccentric band of vampires, gypsies, and glamorous beauties. The food was the best in the park and I pray that next year the concept continues to expand with our lovely cast of characters.
Of course the shows Fiends and Night Beats were our other favorite haunts. Our group tended to enjoy the warmer indoor aspect of the shows and the quirky arrangement of tunes catered to fabulous vocal talents.
OK, I have to mention the highlight of my Howl-O-Scream entertainment experience. I was called up to have none other than Night Beats lead star, the vampire host with the most, Ulrich himself! I totally made me swoon with delight! For the record, he is an enchanting vocalist. Wow.
* I wrote two Blog Articles about Howl-O-Scream this year if you wish to see more of the event in greater detail!
After Howl-O-Scream ended, Christmas Town began. As always, friends gathered for the opening day without disappointment. The weather was perfect and the park looked lovely as always. Our first destination was to see the very first show of Gloria! Two words; BLOWN AWAY!
We all were in quiet awe before erupting in a standing ovation. The power of the vocals brought chills and even caused me to shed a few tears.
Aquitaine France had a new look for Christmas Town, and for the better. My favorite addition was the roaming performers, The “Royals of Aquitaine.” Her Majesty Queen Florette, His Majesty King Francois,, and the lovable Jester Harlequin with his sidekick Jester junior, brought smiles to everyone! This kind of entertainment sets Busch Gardens apart from the competition and never fails to create fond memories for guest. Bravo to the trio! They were certainly the crowd favorite this year!
Moving on from France, the show Deck the Halls in Oktoberfest has always been another fan favorite. So much so, the the park had to close the Festhaus frequently as it would continually reach capacity. The talent is always top notch!
Christmas Town is also more than entertainment, shopping, and lights. I would like to mention that an outside the Festhaus a delicious all-you-can-eat buffet was open on occasion. Tucked away; I found it a very affordable hidden gem. My only complaint was that I wished it had been open every night as I would have gone everyday. The food was so good and I even met a few new friends while waiting in line. Oh, and there was ham. Glorious Glazed Ham!
From Germany and continuing into the San Marco Theater of Italy, the show Miracles was performing with the usual flair of inspirational music and talent. My favorite is always the vocal solos, the ballet dancer, and the finale! One can never leave without feeling that Christmas is more than gifts; it is about love and togetherness.
Speaking of togetherness, a friend of mine decided to embrace the Christmas season of giving to a family who normally could not have enjoyed Christmas Town.
On behalf of the anonymous donor and representing BGWFans and BGW Memories, I was there to welcome them to the park and see them off with the blessing bestowed upon them off with a package of VIP parking, park admission, quick queue passes, photos with Santa, complete meal packages, a cashless wristband with pre-paid spending money for additional gift purchases as well!
They were a military family whose father was stationed overseas during the holidays. It was an honor to witness such an act of generosity. I was told they had a wonderful time and were very grateful. For me, that is the spirit of giving!
As for my holidays, I spent Christmas Eve with my dearest of friends at Christmas Town. The day was absolute perfection.
I was also at Christmas Town on New Years Eve. My college buddy, who came all the way from San Diego to spend the day with me and my close friends at Busch Gardens, was a delightful way to say goodbye to 2013.
Of course it was sad to see the season come to an end. I will miss my Busch Gardens family of friends but look forward to being reunited in 2014.
Perhaps I may run into you in the park as well. Please introduce yourself and feel free to share your favorite moments and memories with me! I would love the chance of making a new friend.
Best wishes for a Happy New Year and a fun filled adventure at Busch Gardens in 2014!
>>> A Special Thanks to all those who worked Christmas Town and spent their Holidays providing families with beautiful memories! It is hard work to keep up a smile during cold weather and provide great service and perfect performances every night! Thanks for the memories and being such wonderful, beautiful people. Happy New Year to you all!
When I was very little, I used to dream about what Busch Gardens Williamsburg looked like in the snow. Most kids would peer out their window and watch the falling fluffy flakes; thinking about snowball fights or building a snowman. Not me. I would try to imagine what the Loch Ness Monster Roller Coaster all covered with snow and ice; sparkling in the winter sky.
What happened in the park when it snowed? Did anyone get to walk around and experience the acoustic nothingness that only comes when snow falls? Did the Rhine River Freeze? All these questions plagued me back when there were no social networks updating fans with a constant stream of photos or Blog posts. Heck, you couldn’t even e-mail the park for a quick answer! You had to send in a handwritten letter; yeah, remember those folks? The paper and pen kind? Oh, how times have changed!
Still, a few decades later, my ultimate winter questions were answered. It only took two miraculous things to happen; Busch Gardens opened their doors throughout December with an event called Christmas Town and Virginia was hit with one of the largest snowstorms in decades. Of course the bad news was that in order to safely open the park, the employees had the arduous task of clearing over a foot of snow on all the pathways, bridges, steps, railroad trestles, and more.
Most of us get tired after cleaning off our cars and shoveling the driveway. Imagine doing that over 350 acres! The dedication of everyone involved in the clearing process allowed the park to reopen three days later. Knowing this, I had my camera charged up and ready to go with heartfelt appreciation. This was a real snowfall and the park had to be spectacular!
I got there as soon as the park opened; set out for the sole purpose of gathering the ultimate Busch Gardens winter photo showcase. I was not disappointed; icicles dangled from the roof tops like prisms, snow blanketed every inch of the landscape, the Rhine River was frozen solid, and the frosty air made Christmas Town at Busch Gardens reminiscent of a winter themed lithograph by Currier and Ives.
Being at the park after a snowfall was just as I imagined in my youth; it was magical. Perhaps Santa was finally answering some of my Christmas wishes on those old “handwritten” childhood letters after all. However, I am still waiting for my own personal roller coaster. Santa, I hope you are listening.
For more Winter Wonderland Christmas Town snow pictures, please visit BGW Memories on Facebook for the complete photo album.
Feel free to submit your own Busch Gardens in the snow photos to keep the album growing!
This year Howl-O-Scream at Busch Gardens has captured my imagination and inspired that neglected artistic side to flourish once more. Many people are surprised to find out that my degree is in Studio Art and Animation. Sadly, that life long dream of being a traditional Disney Animator was promptly crushed when the studio stopped producing hand drawn films.
Yep, you guessed it. Life happened. Bills needed to be paid and my passion for art fell to the wayside.
Still, through it all, Busch Gardens has been a muse for me on many occasions. Going to the park and seeing the murals and small details captured my heart and imagination for decades. The quality and dedication to themeing is what Busch Gardens has been known for; something that is rarely appreciated until it is gone.
Therefore, I decided to make a series of articles about my need to capture these works of art and present them to a broader audience. It is my hope that when you read my stories and view my work, that it inspires you to look at Busch Gardens in another way; to see the beauty in color, line, light, and form.. to see performances as art and expression and to enjoy the little things.
The Art of Howl-O-Scream
Busch Gardens equals entertainment. Whether you are on a ride, watching a show, having a tasty treat, or just taking in the sights, the goal of the park is to entertain you. Many dedicated people behind-the-scenes; the unsung heroes, work tirelessly to find a way to make the magic happen.
This year for Howl-O-Scream, the park tried something new with their “Terror-tories” concept. Obviously, there was a decision made to bring the adult entertainment to a new level. I found myself intrigued by the new sights and sounds.
The number of times I have seen the show speaks volumes for the production value and talent of the performers. For me, I feel that I got away with stealing a free ticket to see a Broadway show. From the costumes, lighting, sound production, set design, choreography, and vocals; I am continuously entranced by the quality of it all.
For example, the rich colors of the opening number, the soft hues of the nocturnal set, the velvety purples and gold of the finale all give me chills. The choreography uses these colors to compose the performers on stage much like painting a picture.
The newcomer this year is my strongest recommendation for a dinner-theater experience. Blood Banquet never fails to entertain your sense of humor and to please the pallet with luscious food and beverages. By far, it has been my favorite addition to Busch Gardens along with the Food & Wine festival earlier this year.
Blood Banquet set the bar higher at Busch Gardens. This is the one place you can interact with the performers and share a few laughs. You get to see their costumes and lovely personalities up close and feel like you are a part of the act.
The whole things reminds me of Threedneedle Fair. Back in The Old Country era of the park, actors ran the games and interacted with guests daily in this area. They constantly stayed in character and spoke strictly with Old English accents. I was happy to see a similar concept return to Busch Gardens this year.
The actual “show” does not take place on a stage, but around the tables themselves. There is a heavy influence of the vintage Hollywood Glam and a nostalgic humor reminiscent of Groucho Marx. The costumes and set design reflect upon 1940s cinema and the ending number evokes the Broadway show and dance number “That’s Entertainment.”
Therefore it was easy to get lost in the art and magic of the production. Here are examples of what inspired me:
Other Examples: It is in the Details!
The rest of my artistic inspiration is based on several magic moments around the park; an extremely energetic performer that goes above and beyond or the hidden details in alcoves around Busch Gardens. If you look closely, you can always see art everywhere you go.
So what inspires you? Feel free to share your favorite Howl-O-Scream art with me and the readers.
In conclusion, I would like to send a special shout out to all those people who give 110% at the park. Thank you for all you do and for the memories!